Vivian Gornick
Award-winning memoirist, essayist, critic, and biographer


Vivian Gornick is the bestselling author of the acclaimed memoir Fierce Attachments, a biography of Emma Goldman, and three essay collections: The Men in My Life, Approaching Eye Level, and The End of the Novel of Love, which was a finalist for the National Book Critics Circle Award.

 

Gornick began her career as a staff writer for the New York weekly newspaper The Village Voice, where she wrote articles, essays, and book reviews, concentrating mainly on the burgeoning feminist movement. Her work has also appeared in The New York Times, The Nation, The Atlantic Monthly, and many other publications.

 

Towards the end of her career as a journalist, Gornick wrote Fierce Attachments a memoir about her mother and herself that signified her transition between journalism and literature.  Since then, she has written multiple essay collections and taught creative non-fiction in MFA programs all over the country. Out of her teaching experience came the book The Situation and The Story: The Art of Personal Narrative, which is taught in many writing program in the United States.

 

Gornick’s most recent memoir, The Odd Woman and the City, was released in May 2015. Written as a narrative collage that includes meditative pieces on the making of a modern feminist, the role of the flaneur in urban literature, and the evolution of friendship over the past two centuries, The Odd Woman and the City beautifully bookends Gornick’s acclaimed Fierce Attachments, in which we first encountered her rich relationship with the ultimate metropolis.

 

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HARDCOVER
Farrar, Straus and Giroux

A memoir of self-discovery and the dilemma of connection in our time, The Odd Woman and the City explores the rhythms, chance encounters, and ever-changing friendships of urban life that forge the sensibility of a fiercely independent woman who has lived out her conflicts, not her fantasies, in a city (New York) that has done the same.

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THE SOLITUDE OF SELFThinking About Elizabeth Cady Stanton
Farrar, Straus and Giroux

Elizabeth Cady Stanton—along with her comrade-in-arms, Susan B. Anthony—was one of the most important leaders of the movement to gain American women the vote. But, as Vivian Gornick argues in this passionate, vivid biographical essay, Stanton is also the greatest feminist thinker of the nineteenth century.

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FSG Classics

In this deeply etched and haunting memoir, Vivian Gornick tells the story of her lifelong battle with her mother for independence. There have been numerous books about mother and daughter, but none has dealt with this closest of filial relations as directly or as ruthlessly. Gornick's groundbreaking book confronts what Edna O'Brien has called "the prinicpal crux of female despair": the unacknowledged Oedipal nature of the mother-daughter bond.

TRADE PAPERBACK
THE SITUATION AND THE STORYThe Art of Personal Narrative
Farrar, Straus and Giroux

This book, which grew out of fifteen years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.

The Past, Present, & Future of Feminism Whether she's discussing the achievements of suffragist Elizabeth Cady Stanton, outlining her own personal history, or predicting women's concerns later down the line, Gornick addresses the history of feminism in this dynamic talk.

The Memoir & The Art of Personal Narrative With more than fifteen years experience of teaching in MFA programs and a few instant-classic memoirs under her belt, Gornick demonstrates the best practices for reading and writing nonfiction. She draws upon a diverse range of sources, including Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, Marguerite Duras, and her own work.




Vivian Gornick will be honored at the 2015-2016 New York City Book Awards, with a special citation for New York City writers.

Vivian sits down for an extended conversation with The Paris Review.

 

Praise for The Odd Woman and the City:

“[F]unny and elegiac and truth-dealing. . . . It's a slim book with big echoes. . . . What puts The Odd Woman and the City across, however, is how deeply Ms. Gornick gets into the fat of feeling. She is as good a writer about friendship as we have.”
—Dwight Garner, The New York Times

“[An] elusive and stirring memoir.”
—David Ulin, Los Angeles Times

“[Vivian Gornick is] a kind of ambassador for those most contested, conflicted of American genres, the personal essay and the memoir.”
—Emily Stokes, The New York Times Book Review

“The best books, like the best friends and their best emails, like the most intimate and comforting conversations, make us feel understood. They make us feel like home is home. The Odd Woman and the City can be read as a guidebook for how to exist.”
—Katherine Taylor, Los Angeles Times Review of Books

“Gornick's most ambitious attempt yet at the nonromance plot . . . richly felt.”
—Laura Marsh, The New Republic

“A series of sharply observed vignettes.”
The New Yorker

“In an age of often pointless confessional writing, Gornick remains a master of purposeful personal narrative.”
—Isabella Biedenharn, Entertainment Weekly

“One of the most vital and indispensable essayists of our cultural moment.”
—Phillip Lopate